Ideal Tragic Hero In his famous "Poetics," the philosopher Aristotle laid the foundations for literary criticism of Greek tragedy.
The tragic hero is a character of noble stature and has greatness. S/he must occupy a "high" status position as well as exemplify nobility and virtue as part of his/her innate character. According to Aristotle, a tragic hero in a Greek drama must meet certain requirements. The tragic hero must be of noble birth, be basically good, must have a tragic flaw, and must have a moment of realization at some point in the work. I would say Brutus is the Tragic hero, not Caesar. Remember the tragic hero is the main character and he dies at the end, not in the middle. Also, something that wasn’t mentioned is that often the Tragic hero, at least in Shakespeare, takes his own life at the very end.
According to Aristotle, a tragic hero in a Greek drama must meet certain requirements. The tragic hero must be of noble birth, be basically good, must have a tragic flaw, and must have a moment of realization at some point in the work.
Although Antigone is the namesake of the Sophocles play and is a hero in her own right, she is not a tragic hero. Creon is the true tragic hero of Antigone in the traditional sense of the term. Both Antigone and Creon were born of noble blood as they are members of the same family.
This almost immediately disqualifies her as the tragic hero. Antigone is more than basically good; she never waivers from her position because she knows that she is right, whereas Creon stands somewhere in the middle of the road.
He is basically good, but he can easily be lead astray by his own flaws as the reader sees immediately. Antigone never has a moment of recognition.
From the beginning of the play she knows and accepts her fate for upholding her moral beliefs. This is not a consequence of a flaw, rather it is a virtuous trait. Thus, the critical difference between the tragic value of the two characters lies in the nature and cause of their suffering.
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In the end, Creon recognizes his flaws and in doing so reaches an elevated state of understanding.
Though Antigone faces a tragic end she does not reveal as much about the human condition as does Creon, thus making Creon the focus of the play. He is the representative of mortal law. The Sentry who says: Haemon goes on to tell his father: Creon thus finally acknowledges the oncoming tragic fate of his bad judgment.
In the end, Antigone operates as the sorrowful composition of a tragic figure whose suffering is the unfortunate result of the tragic flaw of the real tragic hero, Creon. By focusing the play on the tragic heroism of Creon but having the foil of his character as the protagonist, Antigone, Sophocles creates a vision of tragedy which is as complex as the human condition it explores.
He answers with the tragedy of Creon, who in the end finds wisdom and learns through his own suffering.Aristotle also outlined the characteristics of an ideal tragic hero.
He must be "better than we are," a man who is superior to the average man in some way. In Oedipus's case, he is superior not only because of social standing, but also because he is smart: he is the only person who could solve the Sphinx's riddle.
Aristotle defined a tragic hero as “such a person who neither is superior in virtue and justice, nor undergoes a change to misfortune because of vice and wickedness, but because of some error, and who is one of those people with a great reputation and good fortune” (duBois 63).
Aristotle turns his attention toward the character of the tragic hero and lays out four requirements.
First, the hero must be good. The character of the hero denotes the hero's moral purpose in the play, and a good character will have a good moral purpose.
Second, the good qualities of the hero must. The Aristotelian tragic hero inevitably suffers a tragic death, having fallen from great heights and made an irreversible mistake.
|How is Macbeth a tragic hero? | eNotes||Student Answers gurden Student Macbeth is a tragic hero and the beginning praise by Duncan about his military skills proves it.|
|Tragic Hero - Examples and Definition of Tragic Hero||Chapter 15 Summary Aristotle turns his attention toward the character of the tragic hero and lays out four requirements.|
|Chapter 15||Literary Terms Oedipus as a Tragic Hero Oedipus, the main character of the drama, is a great king with ideal traits in his individual personality also; but he is tragic due to a tragic flaw in terms of his moral disposition. That mixture makes us have the tragic experience of catharsis at the end of the drama when all the good of Oedipus is 'wasted' in his struggle against the bad.|
The hero must courageously accept their death with honour. Other common traits of the Aristotelian tragic hero.
Aristotle has relatively less to say about the tragic hero because the incidents of tragedy are often beyond the hero's control or not closely related to his personality. The plot is intended to illustrate matters of cosmic rather than individual significance, and the protagonist is viewed primarily as the character who experiences the changes.
According to the Aristotelian definition as presented in the Poetics, the crucial figure of tragedy, namely, the tragic hero, must satisfy a specific characteristic template in order to .